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Ideas on Video Enhancing | Brick Experiment Channel

Ideas on Video Enhancing | Brick Experiment Channel

2023-03-18 05:50:51

I’ve been desirous about modifying for the final 5 years. Not simply pondering, additionally modifying. Making an attempt out what works. You will have observed completely different modifying kinds within the 65 movies I’ve posted to my YouTube channel.

I do know that’s not an enormous load of expertise, however I’ll share what I’ve discovered.

My latest video mission on Adobe Premiere Professional 2020.

Originally I watched many how-to movies on YouTube. Tried to search out out what is an effective edit. I quickly realized there isn’t a solution. All of the tutorials simply clarify what’s a J-cut, L-cut or jump-cut, the best way to do transitions, or some tips with Adobe Premiere. These are all good to know, however a very powerful query is, when it’s best to use these instruments. No-one explains that, a minimum of in clear guidelines you could possibly comply with.

The reason being, I believe, that modifying is a inventive artwork, the place there isn’t a proper or mistaken. Folks have completely different tastes and opinions. For instance in motion pictures the director and producer typically battle on who’s received the ultimate reduce. The identical goes to music, work, or arts normally – there isn’t a rule e book that everyone follows and agrees on. However nonetheless, some songs/work/motion pictures/movies are standard and a few usually are not. In some imprecise manner folks’s tastes level to the identical route. I suppose it’s simply too troublesome to place into guidelines.

I learn Within the Blink of an Eye by movie editor Walter Murch. He explains it’s best to reduce whenever you would blink, bodily or metaphorically, after understanding what you noticed. For instance, when you have been watching an individual who drones on and on concerning the climate, you’ll blink in a short time, or perhaps even flip your head to observe one thing else. But when the individual says he has most cancers, you’ll stare at him in disbelief. So the context issues. The size of a reduce ought to rely on the context, and it ought to replicate what a mean individual would watch if he was standing subsequent to the scene.

That’s sort of deepish. In layman’s phrases, you must know what the viewer needs.

Figuring out what the viewer needs is troublesome. The viewer sees the video for the primary time. You as a video creator have seen it as soon as whereas filming it, and one other 10-100 instances whereas modifying it. You’ll be able to’t take away your recollections and grow to be the viewer. At the least simply. Mr Murch says he hopes the director takes a 2 week trip to neglect all the pieces, after which comes again to observe the edit. I discover 2 weeks to be too little. 6 months is best. I’ve watched my very own movies 6 months after releasing them and instantly observed what I did mistaken. Too late to repair these movies, however good for bettering your craft.

One in every of my higher edits.


Pacing, timing, rhythm, the size of every reduce. I discover this to be a very powerful. How a lot time the viewer wants for understanding every reduce?

In motion pictures, the pattern has been in the direction of quicker pacing. I needed to examine from a study that my statement is right. Within the final 100 years common shot period has dropped from 12 to five seconds. Attempt to watch 60s westerns, just like the greenback trilogy, in the present day. Very sluggish tempo. Viewers in the present day like quick edits.

You’ll be able to see it in YouTube as effectively. Well-liked YouTube creators like MrBeast, PewDiePie and Dude Excellent use very quick edits. Perhaps 1-2 seconds for every reduce. Even in Lego scene, that I comply with extra intently, there are newcomers like TD BRICKS and Brick Science who use a really quick modifying model. That’s a brand new model amongst Lego movies, and it attracts loads of views in the intervening time. Kudos to these editors. Slicing 10 minutes of such a quick paced video is loads of work.

In fact, quick edits usually are not at all times wanted. Lengthy kind content material can be standard in YouTube. Hours lengthy podcasts and reside streams with little or no modifying get loads of views.

After I began out, I bear in mind twiddling with the edit and watching the consequence again and again. Is that this reduce higher 10 frames (0.4 sec) shorter or 10 frames longer? I might fortunately edit a quick paced model of the video, solely to search out the subsequent day that it feels jerky and troublesome to comply with. It’s baffling to see your personal style for rhythm change from day after day.

It hasn’t received a lot simpler after 5 years. I can edit extra routinely the majority of the work, however nonetheless the pacing requires loads of sharpening. I typically watch the work dozens of instances to really feel out what is nice.

Right here is an instance of a video I launched in two model. First a 2.5 hour model with no cuts (no seen cuts, as a result of it was recorded in a number of periods, however edited right into a seamless move).

Right here is similar materials re-edited right into a very quick rhythm. It is stuffed with leap cuts. I edited a lot of the materials utilizing 5 frames for each click on or snap the place two Lego elements are related. In some locations the pacing slows right down to let it breath a bit bit. That is maybe the quickest rhythms I’ve performed. Someone even commented the edit is just too quick to grasp whats taking place. Hardly ever I get commented on the modifying model.

One other instance is my newest video, 20 Mechanical Rules Machine. It showcases completely different Lego units one after one other, like in a listing. The important thing determination was to find out how lengthy every system needs to be proven, and from what number of digicam angles. I knew I wouldn’t be capable to consider it correctly after I’ve began modifying, as a result of by then I’ve grow to be too acquainted to the fabric. So, earlier than I began, I watched related movies on YouTube (fortunately I discovered a number of) and wrote down what I felt in a notepad file. What I observed, is that the viewer wants loads of time to look at every mechanism and the way it works. Additionally I observed slicing to a distinct digicam angle distracts the viewer. The most effective model I discovered was this video that makes use of about 15 seconds for every system with no cuts. Very gradual pacing. So I used that as a mannequin for modifying. I believe it labored effectively.

A few of my movies are uploaded (with out permission) to TikTok and get hundreds of thousands of views. These uploads are sometimes performed in 1.5x or 2x velocity. I take that as a touch that my movies may very well be edited quicker. Usually whenever you edit your individual materials, you generally tend to over-emphasize all the pieces. You had tens of hours creating the Lego construct, arrange lighting, and movie it from completely different angles. You suppose the viewer needs to know every valuable element. That results in gradual pacing and over-usage of digicam angles.


Construction, kind, the arch from begin to end. That’s one other essential modifying determination in your video. In a manner, that’s the video, in probably the most summary manner.

After I began out, I watched different standard Lego Technic YouTube movies. Lots of them have been like this. Title: 6-speed Lego gearbox. Size: 2 minutes. The audio is crammed with pop music that’s annoying and distracting. There are lengthy texts on-screen explaining how the gearbox works. The video has no starting or an finish, no story, only a static showcasing of the completed construct from completely different angles. You already know it lacks story when you can begin watching the video half-way by means of and it’s simply the identical. My main feeling was, why is that this a video? This could be higher in an online article with textual content and some photographs.

What I discovered from that’s 1) don’t use background music, 2) present issues visually quite than clarify it with onscreen textual content, 3) make the video right into a story. I’ve adopted these factors with some variations all through the final 5 years.

The story may be performed a minimum of two methods with Lego movies. The primary is a constructing/making video. You begin with nothing, construct one step at a time, and finish with the completed factor. The video construction is chronological, easy and easy. An instance is a Lego Tank video.

The second manner is a growth video. You begin with an purpose in thoughts, e.g. take advantage of highly effective Lego hoist. Within the video you check, make enhancements, check once more, make extra enhancements, and so forth. Chances are you’ll find yourself with one thing helpful, or chances are you’ll not, however that’s not the purpose. The event is the purpose, not the top consequence. This construction is nearly like the primary one, chronological, however the progress will not be so easy, because it bounces between testing and bettering, and there’s normally no clear finish. You could possibly at all times proceed the event additional. I did a majority of these video particularly at first, for instance the Lego hoist video.

Apart from these, I’ve performed a couple of easy listing constructions. Simply put scenes after one other with a typical heading. For instance: All 19 Lego Breaking Moments So Far or Requested Lego Experiments 4. There isn’t a story concerned. Due to that, each bit have to be brief to maintain it fascinating.

A montage is one other construction sort I’ve used, however solely as part of a video, normally on the finish to showcase the results of a construct. It incorporates simply brief clips after one other in no specific order. Sort of like a music video – that’s the reason I mix it with background music. An instance is from the top of Submarine 2.0 video.

A growth video bounces between testing and bettering.

Eye hint

Eye hint, eye motion, the place the viewer is between cuts. This turns into essential in quick edits. At worst, I’ve seen quick paced movies the place a textual content seems on the appropriate aspect of the body, then one thing else occurs on the left aspect, then a brand new textual content seems on the appropriate aspect, and so it bounces across the body. The viewer can’t sustain. Each time the place of curiosity adjustments, the viewer wants a while to catch up.

I normally don’t need to thoughts eye hint, as a result of I exploit regular digicam and the Lego construct stays at a hard and fast place. The focal point (new elements added to the construct) stays at a sure space in a body, normally on the heart.

However in different instances I must thoughts it. One instance is once I maintain the factor I’m constructing in my hand and it strikes round. What I do in these conditions, I exploit a large angle shot, zoom in 10%-50% within the editor, and pan x and y place after each reduce in order that the factor stays in place between cuts. A aspect impact of that is that the background will leap round between cuts, however that could be a lesser evil than the focal point leaping round. An instance of this edit is here (when you take a look at the higher proper nook, you see how the background adjustments between cuts).

A part of minimizing the attention hint issues is in filming it correctly. Lego velocity construct video creators know this very effectively. The building has to remain in place whereas constructing it. In any other case it should transfer across the body, and people actions will grow to be extra pronounced and distracting when the footage is sped up. Optimally the one altering pixels on display screen are the brand new elements added on the construct (and maybe your shifting fingers), all the pieces else stays frozen. To realize that, I typically connect the construct to the desk utilizing a double-sided tape.

Your fingers may additionally draw pointless consideration. After I maintain the construct with my left hand, whereas including new elements with my proper hand, I attempt to preserve the left hand in the identical place in the course of the scene. In any other case, leap cuts will make the left hand transfer round and distract the viewer.

Change in orientation is yet one more factor to think about. Optimally the Lego building ought to keep in the identical orientation. However when you should to rotate it, the act of rotation needs to be included within the edit. In any other case the viewers received’t perceive what occurred. An instance from the obstacle car video the place the automotive is rotated two instances in the course of constructing.


Continuity modifying, consistency between cuts. Whether or not it’s time, area, colours, lighting, or acoustics, if the continuity is damaged, the result’s complicated to the viewer.

In my easy movies continuity is pretty simple to do, however generally it requires effort. The most important drawback is with the continuity of the building I’m constructing. No matter I’ve constructed earlier within the video, needs to be current afterward. Many instances I’ve shot a video half-way by means of, solely to note I constructed it mistaken. If it’s a small mistake, barely noticeable, I could depart it that manner. If it’s a bigger mistake, the one manner is to re-shoot all of the sections the place the error is current. Meaning misplaced effort and time. Due to these errors, I these days normally make a correct prototype and check it extensively, earlier than filming something.

Then there are smaller continuity checks to be made whereas modifying. For instance, I want to repair white stability and publicity between cuts. In any other case, if the gray background adjustments in publicity whereas doing leap cuts, it should flicker and draw undesirable consideration. Typically I’ve shot scenes utilizing auto-exposure within the digicam settings, and that footage at all times wants additional effort to even out the publicity variations.

Examine the audio quantity ranges and results between cuts. For instance, if the extent of background noise adjustments between cuts, it’s distracting. Or if I reduce to a distinct microphone that has brighter sound (Rode NT1 vs Sennheiser MKE600), it could be distracting, and I want to use equalizer impact to match the frequencies.

When slicing to a close-up shot, if the change in distance is just too small (for instance 10% zoom), it should seem like an error. Or if the change is just too giant (300% zoom), the viewer doesn’t perceive what occurred. In different phrases, the displacements needs to be neither delicate nor whole. The identical precept, referred to as the 30-degree rule, applies to adjustments in digicam angles. By way of audio, a close-up shot ought to have increased quantity degree (or higher but, recorded utilizing a mic in nearer distance), as that’s what the viewer expects. Audio ought to match what you see.

Typically continuity is intentionally damaged. When slicing to an onboard digicam, the soundscape, perspective, colours and lighting will all change, and that’s effective, because the viewer understands it’s completely different. The identical goes to cuts between scenes, for instance from a constructing part to a testing part. Continuity may be damaged, since now we have moved into a distinct psychological area.

Totally different cuts I exploit

I largely use leap cuts (reduce ahead in time with out altering digicam angle). That’s as a result of my footage is usually Lego constructing scenes which are lengthy they usually must be shortened. Leap cuts are naturally jarring and disorienting. Due to that, they’re not often utilized in movies. However I believe they work in Lego constructing scenes, as a result of the adjustments between leap cuts are small (provided that the digicam is regular and the construct stays in place whereas Lego elements are added). Right here is a video full of jump cut building scenes. Every reduce is about 16 frames lengthy, and the snap sounds of Lego elements connecting are 6 frames in.

Instance of leap cuts. From audio waveform you see peaks when Lego elements are related. Having the peaks spaced out evenly creates a extra nice rhythm.

Typically, as an alternative of leap cuts, I velocity up the footage as much as 4x and even 10x velocity. This model was used typically in my outdated movies, for instance this Lego hoist video. That’s one strategy to shorten the lengthy constructing scenes. Additionally it is simpler to edit than leap cuts. However these days I believe velocity constructing has a bit rushed and unnatural really feel, so I favor leap cuts.

Dissolve is one other reduce I exploit typically. Both Cross dissolve or Dip to Black. I normally put these to symbolize a transition from a scene to a different, for instance from a constructing part to a testing part (example). Dissolves take a while to complete, so that you don’t need to use them typically, as they may decelerate pacing.

Slicing on motion is one other I’ve discovered helpful when going from a full shot right into a closeup, because the motion makes the reduce simpler to comply with (example). One time I attempted a cross reduce between a cat and a fowl, completely unrelated to the remainder of the Lego video (example). A wipe transition I’ve used a couple of instances (example) and push transition a couple of instances (example).

Enhancing tips

I’ve discovered a couple of results and tips to boost the modifying. Listed below are my picks.

I remodeled gear practice right into a wireframe at the end of Googol video. Lots of people requested how I did that. It was performed with a Adobe Premiere impact referred to as Discover Edges that comes with the software program. Very simple to make use of impact the place you may modify the quantity of mix and invert colours. Humorous how I later got here throughout an old AC/DC music video that makes use of the identical sort of impact with gears rotating within the background. What a coincidence!

I used an Outdated West flashback in the card gun video. It’s performed with a canyon background picture, gunshot sound, picket plank with textual content, and a white-edged spotlight. I copied the concept from Placeboing’s video.

A blurred zoom transition was utilized in the card gun video. It’s performed with Rework -effect the place you set shutter angle to 360 after which enhance/lower scale utilizing keyframes. I copied that concept from a Dude Perfect video.

Animated dotted traces has been in a few movies, final time in Submarine 4.0. That’s performed with a Write-on impact by altering brush place over time with keyframes.

Many instances I must prolong the body of the shot. For instance, if I need to add textual content to the aspect, however the framing is just too tight for that. That may be mounted with out re-shoot, if the background is uniform shade on the edge. Proceed the realm with a single-color rectangle, or put the identical video on one other layer with completely different xy place. Under is an instance from Submarine 3.0 with and with out the patch up.

Earlier than.

Just a few instances I’ve used anime velocity traces. Right here is an example. It’s a sort of tacky cartoon-like trick, however I prefer it. I create it utilizing this overlay video. Simply lay it on high and from Impact Controls panel set Opacity -> Mix Mode -> Display. I copied the concept from Davie504’s video.

One time I did a cease movement animation scene, simply to attempt it out. Lego cease movement is a giant style on YouTube. There are numerous tutorials on that, however right here is how I did it. I had just one minifig shifting, so it was quite simple to do. The strolling motion was performed in 4 steps: 1) left leg ahead and proper hand ahead, 2) legs and fingers down, 3) proper leg ahead and left hand ahead, 4) legs and fingers down. Publicity auto-adjustment was turned off from the digicam (in any other case the edited consequence would flicker). A gradual digicam recorded video (you could possibly additionally take photos). I began shifting the minifig, and took my fingers out of the body for a second after every step was completed. Within the editor I reduce 2 frames from every step and put them right into a collection. Easy as that. Here is the result. In some elements I mixed cease movement and precise video collectively. That was performed with masking the footage body by body.

A quick zoom to a closeup has been used a couple of instances. For instance at first of the spinning camera video and rock lift video. It’s performed just by keyframing scale and place. By the best way, Kubrick did one thing related in Dr Strangelove.

Background music

I usually don’t use music. The audio is simply silence and Lego constructing noises. That’s as a result of loads of different Lego Technic video creators fill the audio with music and it feels annoying and distracting.

However generally I like add a bit bit feeling and persona with music to the top of the video. This typically will get divided feedback amongst viewers, some prefer it and a few not. The viewers retention graph reveals a portion of the viewers cease watching when the music begins taking part in. Perhaps I ought to cease utilizing music utterly, as folks don’t appear to love it. However that feels a bit monotone and boring to me. I believe the proper of music on the proper place is okay, I simply must learn to use it.

My present opinion is {that a} very low-key music is greatest, virtually boring music when you pay attention the piece by itself. If you mix that with the image, it should add to a pleasant stability. In any other case, if you choose a traditional good track, it should draw consideration an excessive amount of, and distract from the remainder of the video.

On-screen textual content

One little a part of modifying is including on-screen texts. I attempt to keep away from texts as a lot as doable and let the visible imagery clarify what occurs. However generally a reputation of a tool or gear ratio or one thing different data must be added. The font varieties I exploit are Tahoma, Leelawadee UI, Verdana, Arial, Eras. All of these are sans-serif fonts, easy and straightforward to learn on a small display screen.

Arial slender, white shade font with reddish black stroke. Right here the stroke is essential in making the textual content readable, because the background is multicolored.

To make sure readability, I attempt to put the textual content on an “empty” space that has uniform shade. If there isn’t a such an space out there, I’ll add thick strokes or shadows across the letters. The colour for the strokes is usually picked from the background, in order that it blends to the picture. The colour of the particular font is normally both black or white, whichever offers sufficient distinction. Typically I do a extra stylistic selection, and choose the font shade from no matter else seems on display screen. Readability is at all times a very powerful side of texts. It’s a good follow the watch the video on a cellphone to verify the font dimension is large enough.

Eras Daring ITC, pink shade font. Extra stylistic selection for font shade.

Timing, how lengthy the textual content needs to be displayed? That’s troublesome to know while you’re modifying. Afterwards I typically suppose I used too fast timing, and subsequently the viewer doesn’t have sufficient to time to learn and perceive the texts.

Maintain your fingers

This isn’t associated to modifying, however in any case. My movies typically embody closeups of my fingers whereas I construct Lego creations. If I’ve dry and cracked pores and skin and nails, these will present within the movies and distract viewers from the precise content material. That is an space the place I’ve improved through the years. My fingers regarded fairly unhealthy within the outdated movies, however significantly better within the new ones. What I discovered to do, is sustain the moisture. Pores and skin and nails look instantly smoother with some additional moisture. I could merely pour water to my fingers and wipe them clear, simply earlier than a closeup shot, or apply hand lotion an hour earlier than taking pictures.

Fingers from my newest video.

Constructing with Legos is in fact onerous on fingers and nails. I’ve discovered not use nails for disassembling elements. One other factor I’ve tried out currently is a glass nail file to grind down edges of my nails, and cuticle oil. I believe these assist to maintain the nails from cracking in the long term.

See Also

Lighting additionally makes pores and skin look worse if it comes from a pointy angle and brings up all of the grooves. Having extra gentle from the route of the digicam helps in closeups.

My workflow

After I’ve shot a scene, I instantly edit the fabric. I transfer the information to my modifying software program, and edit the footage earlier than I begin to shoot the subsequent scene. I’m proud to say Akira Kurosawa operated the identical manner. He used to shoot in the course of the day and edit within the night. One good thing about this routine is the likelihood to shortly re-shoot photographs. If I’ve issues with focus, overblown publicity, hand blocking a key shot, or no matter, I can shoot it once more with no need to spend time establishing all the pieces to their authentic state.

I exploit Adobe Premiere Professional 2020 as my modifying software program. The very first thing after I import information to Premire, is put them in a separate sequence. For me that’s at all times Sequence 01 as a result of I don’t care about naming them. That sequence is for accumulating all of the uncooked footage and synchronizing them. Synchronizing is required to match audio and video, as a result of I file audio with a separate system. If there are a number of video information, additionally they must be synchronized. At greatest I’ve had 4 video information for an experiment captured from completely different digicam angles.

Subsequent I reduce it. I transfer the brand new footage from Sequence 01 to the primary sequence. I look by means of the footage to see the way it seems. If it’s a lengthy scene, I could do a tough reduce first to pick which items I want, after which a effective reduce to regulate the pacing.

Then I modify shade. I exploit Lumetri Shade impact. I could put the impact instantly to every video clip, or use an Adjustment layer on high to repair shade for a number of clips on the similar time. Within the impact settings I normally repair white stability first, then publicity, and at last add distinction, saturation, and lightness for whites/shadows if wanted.

I typically watch Lumetri scope with RGB Parade whereas I modify colours and publicity. I’m so accustomed to that software, that I typically tune white stability based mostly on these graphs, with out a lot wanting on the precise picture.

Audio is usually the very last thing I examine. I could repair audio ranges for particular person clips to maintain even degree throughout your complete video. I exploit Parametric Equalizer, Dynamic Processing, and another results on the audio tracks. Extra about these in the previous post.

After all the pieces is shot and reduce, is the tuning part. I watch the consequence a number of instances in numerous days and enhance on pacing, publicity, audio ranges. I typically watch your complete factor as soon as on my cellphone to see the way it seems on a small display screen. Are you able to learn onscreen textual content? How the audio sounds by means of cellphone audio system the place there isn’t a low frequencies? I additionally hearken to the video as soon as with head telephones. Is the panning okay? Is there an excessive amount of background noise or annoying clicks someplace?


my outdated movies, I can see many moments I might edit in another way in the present day. Some are clear errors, and others maybe a change in style. Listed below are my picks.

Lego tank video was performed solely with background music and 70s model yellowish colours and movie scratches. Particularly the background music aggravated many viewers, and folks complained about it within the remark part. I believe they have been proper. These edits have been a distraction that added nothing to the content material. I later launched the same video again with out music and filters.

Requested Lego Experiments 1 had a robotic voice studying texts. I received that concept whereas watching Memenade that makes use of a robotic voice to learn out memes. Lots of my viewers didn’t like that. As soon as once more, the remark part was crammed with complaints. So, I released the video again with out voice-over.

100 Wheel Lego Vehicle. The construction is in all places. First a protracted velocity constructing scene with no cuts or closeups, sort of boring. Then a brief cease movement animation that had little to do with the topic of the video. Then driving round with on-board digicam, which was okay. On the finish a Halloween scary reveal of the driving force’s face. This video didn’t know what it was imagined to be.

Playing Card Lego Gun begins with showcasing the top consequence, and follows with the constructing and growth part. If I take a look at YouTube Analytics viewers retention graph, I see loads of viewers cease watching at 20 second level. I suppose revealing the consequence at the start spoils the story.

Steel axle video has pointless switching between two digicam angles in a couple of of the check scenes. It makes it harder to comply with with out including something new.

Additionally in metal axle check video, there’s a short emotional scene smashing fists on the desk. So faux and cringy.

Lots of my movies has too quick pacing, particularly with on-screen textual content. One instance is in Lego tank video. The texts go away too shortly to grasp them.

Gearbox video had in lots of locations (example) a reduce to a closeup and a leap reduce on the similar time. That feels barely jarring. Right this moment I might most likely preserve time continuity and solely reduce to a closeup.

The primary two movies (example) weren’t white balanced correctly. They’ve barely reddish tint.

All of my first 12 months movies (example) have an unsightly stereo audio from utilizing two microphones. Pronounced when you pay attention with headphones.

Profitable edits

After itemizing errors, let’s choose good edits. These movies that I’m pleased with watching in the present day.

Can Lego BREAK a Steel Axle? I just like the pacing of this video. Even the utilization of background music on the finish matches effectively to the content material.

Making Lego Car CROSS Gaps. A effectively balanced construction from begin to end, and an excellent quick pacing.

Engines 2 video. One other effectively balanced video.

Spinning a Lego Wheel Fast BY HAND

Submarine 4.0

My idea for good movies

I’ve shaped a idea for making good movies, an summary rule that matches my mind-set. That’s based mostly on data. As a video maker, I’m attempting to move data into the heads of the viewers. The knowledge consists of how a Lego construct was made, the way it works, what have been the issues, what rules have been concerned. Different issues don’t matter, like gorgeous visible results, getting folks excited, displaying off my abilities, advertising my channel, promotion, or anything. Simply passing data. Okay, I’d sometimes put in a pleasant visible shot for the sake of it, however a minimum of 95% of the time it’s nearly passing data.

If you move data, the primary standards are readability and velocity. You need to move the data as precisely and with out misunderstanding, and as shortly as doable. These standards have an effect on all the pieces from filming, framing, lighting, to modifying. First you body the shot correctly, with an angle that will get all the main points the viewer must see. Often that’s an angled fowl’s-eye view, versus photographs straight from the aspect. You attempt to gentle it so that each half is effectively lit and the topic seems third-dimensional and with sufficient distinction. You take away any pointless stuff from the background to simplify data move. You utilize a single coloured background that’s completely different shade from the topic, to enhance readability and differentiation. You edit the fabric as quick a pacing as doable, whereas it nonetheless is understandable. You utilize eye tracing rules to make the cuts easy and straightforward to comply with. You narrow out any pointless footage, derailed observations not associated to the primary concept, and different complexity from the video. You file noiseless clear audio the place each sound is distinguishable, and don’t conceal it below background music. Briefly, each determination needs to be decided by the data move.

Closing phrases

I believe modifying is a very powerful half in making movies. At the least in my movies. Filming, lighting and audio are additionally essential, however modifying is primary. Not simply because it takes probably the most time – about 25-50% of my video manufacturing is spent in modifying. But in addition as a result of modifying has perhaps the largest impact on how good the video shall be. Enhancing creates the rhythm, tone and pleasure of the piece. Additionally, in a private degree, modifying is probably the most fulfilling a part of the method, as a result of there you see your creation come to life.

Thanks for studying, and good luck with your individual edits. Any feedback, be at liberty so as to add them beneath.

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