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Victory Backyard (novel) – Wikipedia

Victory Backyard (novel) – Wikipedia

2023-07-08 15:13:14

From Wikipedia, the free encyclopedia

Victory Backyard is a piece of electronic literature by American creator Stuart Moulthrop. It was written in StorySpace and printed by Eastgate Systems in 1992. It’s typically mentioned together with Michael Joyce‘s afternoon, a story as an essential work of hypertext fiction.

Plot and construction[edit]

Victory Backyard is a hypertext novel which is ready through the Gulf Conflict, in 1991. The story centres on Emily Runbird and the lives and interactions of the individuals related together with her life. Though Emily is a central determine to the story and networked lives of the characters, there isn’t any one character who could possibly be classed because the protagonist. Every character in Victory Backyard lends their very own sense of perspective to the story and all characters are linked by way of a collection of bridges and connections.

There isn’t any set “finish” to the story. Moderately there are a number of nodes that present a way of closure for the reader. In a single such “ending”, Emily seems to die. Nonetheless, in one other “ending”, she comes dwelling protected from the struggle. How the story performs out relies on the alternatives the reader makes throughout their navigation of the textual content. The passage of time is unsure because the reader can discover nodes that target the current, flashbacks and even desires and the nodes are regularly introduced in a non-linear style. The alternatives the reader makes can cause them to deal with particular person characters, that means that whereas there are a collection of characters within the story the characters targeted on can change with every studying, or a selected place.

Upon getting into the work the reader is introduced with a collection of selections as to find out how to navigate the story. The reader might enter the textual content by way of quite a lot of means: the map of the ‘backyard’, the lists of paths, or by the composition of a sentence. Every of those paths guides the reader although fragmented items of the story (within the type of node) and by studying and rereading many various paths the reader receives totally different views of the totally different characters.



  • Emily has been by way of regulation faculty and she or he has an older brother [firm]
  • Emily is within the Gulf Conflict
  • Emily is with Boris however might have had one thing with the Victor? [Dear Victor]
  • Emily has been with Boris for 3 years, shedding love for him? [No genius]
  • Emily’s surname is Runbird [a true story]
  • Emily is studying “Blood and Guts in Excessive Faculties” which Boris despatched her [blood & guts in S.A.]
  • Flashes again to a morning with Boris, hints in direction of an occasion earlier on of their relationship, Boris has facial hair, Emily it undecided on whether or not she likes it or not [Facial hair]
  • Identical morning, a little bit in a while, Emily doesn’t approve of the facial hair, thinks of it as false promoting [face it]
  • Again to present time, Emily is writing to Boris, Thea is depressed, Veronica must pay the automotive insurance coverage. Boris is predicted to have purchased a brand new mattress [Dear you]
  • Lucy is Emily’s Mom
  • She additionally has a youthful sister by the identify of Veronica
  • Emily is a match agile girl

Thea Agnew:

  • She is a professor at a College within the city of Tara.
  • Emily and her sister Veronica are her pupils.
  • She has a teenaged son named Leroy who has just lately left faculty to take his personal “On the Street” tour of america.
  • Central to the plot of Victory Backyard is Thea’s function as head of a Curriculum Revision Committee trying on the topic of Western Civilization as effectively her discovery with a bunch of associates {that a} in style native creek has been offered to an organization intending to construct a golf course close by.
  • One of many pivotal scenes in Victory Backyard happens at Thea’s home. Throughout a celebration an look from Uqbari the Prophet results in a gun being fired off in her again yard which ends up in the intervention of police and the unintentional beating of Harley.

There are numerous reoccurring characters in Victory Backyard. This consists of Harley, Boris Urquhart, Veronica, Leroy, and others.


Based on David Ciccoricco, “Though some early critics had been fast to see Victory Backyard as rooted in a leftist political ideology, Moulthrop’s narrative will not be unequivocally leftist. Its political orientation in a way mirrors its materials construction, for neither sits on a secure axis. Actually, Moulthrop is extra desirous about questioning how a palette of data applied sciences contributes to—or, for individuals who undertake the sturdy studying, determines—the formation of political ideologies. Along with in style types of info dissemination, this palette would come with hypertext expertise, which reflexively questions its personal function in disseminating info because the narrative of Victory Backyard progresses.

See Also

Citing Sven Birkerts’ statement that attitudes towards info applied sciences don’t map neatly onto the acquainted liberal/conservative axis, Moulthrop writes:

Newt Gingrich and Timothy Leary have each been advocates of the Internet… I’m much less in previous ideological positions than in these now rising, which can be outlined extra by attitudes towards info and interpretive authority than by conventional political considerations. (Moulthrop 1997, 674 n4)

The politics of Victory Backyard, very similar to its plot, don’t harbor foregone conclusions. In a 1994 interview, Moulthrop says it ‘is a narrative about struggle and the futility of war, and about its the Aristocracy on the similar time’ (Dunn 1994).”[1]

Important reception[edit]

As one of many classics of hypertext fiction, Victory Backyard has been mentioned and analysed by many critics, together with Robert Coover,[2] Raine Koskimaa,[3] James Phelan and E. Maloney,[4] Robert Selig,[5] David Ciccoricco,[6] and Silvio Gaggi.[7]


  1. ^ Ciccoricco, David. (2007) Studying Community Fiction. Tuscaloosa: U. Alabama Press, 95.
  2. ^ Robert Coover. 1998. “Hyperfiction: Novels for the Pc”, The New York Instances Ebook Evaluation, August 29, 1998. p. 1 ff.
  3. ^ Koskimaa, Raine. 2000. “Studying Victory Backyard: Competing Interpretations and Unfastened Ends”, Cybertext Yearbook 2000, eds. Markku Eskelinen and Raine Koskimaa. Jyväskylä: Analysis Centre for Modern Tradition. 117-40.
  4. ^ Phelan, James, and E. Maloney. 1999-2000. “Authors, Readers, and Progressions in Hypertext Narratives”, Works and Days, vol. 17/18: 265-77.
  5. ^ Selig, Robert L. 2000. “The Countless Studying of Fiction: Stuart Moulthrop’s Hypertext Novel Victory Backyard.” Modern Literature, Vol. 41, no. 4: 642-59.
  6. ^ Ciccoricco, David. (2007) Studying Community Fiction. Tuscaloosa: U. Alabama Press, 94-123.
  7. ^ Gaggi, Silvio. 1999. “Hyperrealities and Hypertexts” in From Textual content to Hypertext: Decentering the Topic in Fiction, Movie, the Visible Arts, and Digital Media (Philadelphia: College of Pennsylvania Press. 98-139

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